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Roger Quilter - 18 Songs for Voice & Piano

Composer Info

£12.99

ISMN: 9790060115530
Shop Product Code: 163733Z

Department: Vocal & Opera - A-Z Vocal Composers

Description: High Voice, Piano

Publisher: B&H London

Status: In Print (Usually despatched within 24 hours)

Grade Exam Music

This product includes pieces featured in grade exams. Click on a grade to view the full syllabus.

ABRSM Singing from 2009

Quilter was one of England’s finest artsong composers. Compiled to mark the 50^th anniversary of the composer’s death, these two volumes gather together 18 of Quilter’s songs and duets. In these songs he demonstrates an extraordinary skill in setting English poetry and shows what can be achieved in the miniature form.

These fabulous new volumes are a must for all singers and Quilter afficionados! In addition to well-known favourites such as Now sleeps the crimson petal and Love’s Philosophy, it contains several works which have been unavailable for many years, as well as offering three previously unpublished songs for the first time.

Available for both high and low voice.

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01. Love's Philosophy fr Three Songs op3
02. Now sleeps the crimson petal fr Three Songs op3
03. Fill a glass with golden wine fr Three Songs op3
04. Dream Valley fr Three Songs of William Blake op20
05. The Wild Flower's Song fr Three Songs of William Blake op20
06. Daybreak fr Three Songs of William Blake op20
07. The Fuschia Tree
08. Music, when soft voices die
09. The Jealous Lover fr Five Jacobean Lyrics op28
10. Why so pale and wan? fr Five Jacobean Lyrics op28
11. I dare not ask a kiss fr Five Jacobean Lyrics op28
12. To Altea from Prison fr Five Jacobean Lyrics op28
13. The Constant Lover fr Five Jacobean Lyrics op28
14. I got a robe (previously unpublished)
15. Weep you no more (Duet)
16. It was a lover and his lass (Duet)
17. The Passing Bell (Duet, previously unpublished)
18. 'Tis St Valentine's Day (previously unpublished)

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Reviews

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"Singers will enjoy Quilter's exemplary word-setting and sense of line, while for pianists the writing could hardly be more grateful, especially in the lingering codas. Indeed, a joy."

(The Singer, February/March 2004)

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