Oresteia
(1965-66,rev.1969/87/89)Text by Aeschylus (Gr)
Solo Bar; children's chorus, mixed chorus (18 men and 18 women, or multiples thereof) doubling perc: wood simantras/metal simantras/whips/sirens/metal sheets/maracas
1(=picc).1.0.Ebcl.dbcl.0.dbn-1.1(=picc.tpt).1.1-perc(3):2timp(sm,lg)/2bongos/SD/BD(lg)/2wdbl/2lion's roar/2gongs(sm,lg)/2tamb(without jingles)/whip/4tom-t/2nylon brushes(long bristles)/2maracas/thunder-sheet(lg)/glsp-vlc
Each instrumentalist (except percussionists) doubles on each of tgl/tamb(varying pitch,without jingles)/siren/glass chimes/whip/metal sheets/lion's roar/rattles
Audience plays metal simantras
Performances of Oresteia should include Kassandra (1987) for baritone, psalterium and solo percussion (15 minutes), and La Déesse Athena (1992) for baritone and twelve instruments (9 minutes). Both additional scores are available from Editions Salabert.
Abkürzungsverzeichnis (PDF)
Boosey & Hawkes
“…sharp-edged, otherworldly…“Oresteia” works powerfully on its own terms.
The New York Times
"...a deeply moving theatrical poetic masterpiece."
Opera Now
"Distant from any more restrained emotion, fear and horror are elementally experienced through dark and threatening sounds."
Suddeutsche Zeitung
“...arresting… Xenakis never wrote a score that didn't instantly grab the ear and deliver a satisfying musical experience. …the elemental impact of the piece is undeniable... wholly mesmerizing.”
MusicalAmerica.com