The Highgate Motet

Private Preces, by Lancelot Andrewes (E)

Choral level of difficulty: 2-3 (5 greatest)

This was a privately commissioned motet by Mrs Gina Goldhammer in loving memory of her husband and sets part of Private Preces by the 16th century poet Lancelot Andrewes. Set for unaccompanied choir with two soprano parts and divided basses towards the end, it starts in a deeply reflective way with short phrases leading to pauses followed by a bar of rest. This remains a feature of the progress of the first half of the motet. After the commendation (‘Into thy hands, O Lord, I commend my spirit’) Andrewes moves into a more extended prayer of thanksgiving and praise. MacMillan now allows his music to bubble up using versions of his familiar ornamentation which lead to an impassioned climax through repetitions of ‘the lifting up’ with heady rising scales to ‘the evening sacrifice’. A strongly dedicatory “blessed are Thou’ makes us sink to our knees with a quiet ‘O Lord our God’ with which the motet comes to its gentle conclusion with the first sopranos clinging quietly to their final F sharp alone.

A fairly straightforward work which will appeal widely and be within the reach of many choirs who ought to be moved by its gently dedicatory mood which, besides memorial services would suit any remembrance occasion as well as being a highly effective concert work.

Repertoire Note by Paul Spicer