Solo percussion: tap table/marimba/timpanum
2.2.ssax(=tsax).asax.0.bcl.dbcl.0-220.127.116.11-perc:vib/t.bells/gongs/cyms/bongos/guiro/slit dr/BD/drum kit-harp-pft-bgtr-strings(max:18.104.22.168.2, min:22.214.171.124.1)
"Colin Currie enters the stage without physical dance pyrotechnics but suggests tap sounds with sticks and thimbles on a wooden plank. The element of dance is important but is only a thin covering to mask the nearby looming descent… The work concludes with slow, calamitous sounding timpanum strokes and a brief reference to the big band era when tap dancers were in vogue. The end is as lonely as a life that ceases to exist."
"… an eerie recollection of the slow jazz-blues movement…In the finale, Andriessen is at his mind-boggling best with strong colours from the saxophone section and the irrepressible bass guitar and piano combination. Its tight, almost merciless tirade gradually gives way to a melting, Romantic Mahleresque episode which is something totally new in Andriessen’s compositional style."