Libretto by the composer after Sir Samuel Richardson's novel (E)
Major roles: dramS,dramT; minor roles: colS,hS,S,M,A,T,Bar;
small roles: girlS,boyS,A,T,Bar,B; chorus; solo female dancer; ballet
Boosey & Hawkes
This work is available from Boosey & Hawkes
for the world.
Vivian Tierney/Graeme Matheson-Bruce/ Director: David Pountney
Conductor: Oliver Knussen CBE
Company: English National Opera
|ANNA HOWE, her confidante and inner voice
|VOICE OF FATHER
|SCREWTAPE, the Harlowe's choice of suitor to Clarissa
Clarissa reads in her room a letter from her confidante Anna, who encourages her to solve her predicament by searching out her true desires. Clarissa’s relatives enter, producing the odious suitor Screwtape who they intend her to marry. Though a dutiful daughter, Clarissa harbours an unconscious infatuation for the notorious libertine Lovelace. She refuses to accept Screwtape’s suit and her relatives leave. Expressing her tortured state she hears her father cursing her through the locked door. Fainting, she calls upon Lovelace’s name and, as the walls of her domestic prison dissolve, he appears as if by magic and leads her to freedom.
In Lovelace’s London house, Clarissa realises she is just as much a prisoner and she locks herself into a side chamber. Lovelace’s room is transformed into a brothel and he and the Madam contrive to smoke her out. The flames rise and Lovelace’s passion mounts but in the ensuing pandemonium Clarissa escapes. Clarissa is recaptured and returned to Lovelace’s house, weak and bedraggled. After a sleep she seems more compliant to his advances, but she finally refuses him and he takes her by force. She is visited by a doctor whose evasive answers confirm her awareness that her life is ebbing inexorably away. Though Lovelace makes a final attempt to approach her she demands to be left alone. Passing through a nightmare retelling of her ordeals she finds herself surrounded by friendly faces including those of her now benevolent family. Her physical strength fades, but her inner peace grows and her death is transfigured by a radiant acquiescence.
Dramatic, Romantic, Tragic