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Short Biography:
Dominick Argento, considered to be America's pre-eminent composer of lyric opera, was born in York, Pennsylvania in 1927. He earned his Bachelor's and Master's degrees at Peabody Conservatory and his Ph.D. from the Eastman School of Music. Fulbright and Guggenheim Fellowships allowed him to study in Italy and following his Fulbright, Argento became music director of Hilltop Opera in Baltimore, and taught theory and composition at the Eastman School. In 1958, he joined the faculty of the Department of Music at the University of Minnesota, where he taught until 1997 and later held the rank of Professor Emeritus.

During his years at Eastman, Argento composed his opera, The Boor (1957), of which John Rockwell of The New York Times stated: “[it] taps deep currents of sentiment and passion.” Following his arrival in Minnesota, Argento accepted commissions from the Saint Paul Chamber Orchestra and the Civic Orchestra of Minneapolis.

Since the early 1970s Argento’s operas were heard with increasing frequency abroad. Among these are The Voyage of Edgar Allan Poe (1976), Dream of Valentino (1993), and Casanova's Homecoming (1984), which Robert Jacobson of Opera News hailed as "a masterpiece."

Dominick Argento received the Pulitzer Prize for Music in 1975 for his song cycle From the Diary of Virginia Woolf. He was elected to the American Academy of Arts and Letters in 1979, and in 1997 was honored with the title of Composer Laureate to the Minnesota Orchestra, a lifetime appointment.

—February 2019

This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.

Long Biography:
Dominick Argento, considered to be America's preeminent composer of lyric opera, was born in York, Pennsylvania in 1927. At the Peabody Conservatory, where he earned his Bachelor's and Master's degrees, his teachers included Nicholas Nabokov, Henry Cowell, and Hugo Weisgall. Argento received his Ph.D. from the Eastman School of Music, where he studied with Alan Hovhaness and Howard Hanson. Fulbright and Guggenheim Fellowships allowed him to study in Italy with Luigi Dallapiccola and to complete his first opera, Colonel Jonathan the Saint. Following his Fulbright, Argento became music director of Hilltop Opera in Baltimore, and taught theory and composition at the Eastman School. In 1958, he joined the faculty of the Department of Music at the University of Minnesota, where he taught until 1997 and later held the rank of Professor Emeritus.

Although Argento's instrumental works have received consistent praise, the great majority of his music was written for voices, whether in operatic, choral, or solo context. This emphasis on the human voice is a facet of the powerful dramatic impulse that drove nearly all of his music, both instrumental and vocal. Music critic Heidi Waleson described Argento’s work as “richly melodic... [his] pieces are built with wit and passion, and always with the dramatic shape and color that make them theater. They speak to the heart.”

During his years at Eastman, Argento composed his opera, The Boor (1957); John Rockwell of The New York Times, writing of a 1985 production, stated that “[it] taps deep currents of sentiment and passion.” Following his arrival in Minnesota, the composer accepted a number of commissions from significant organizations in his adopted state. Among these were the Saint Paul Chamber Orchestra, who commissioned his suite Royal Invitation (1964); and the Civic Orchestra of Minneapolis, who commissioned Variations for Orchestra [The Mask of Night] (1965). Argento's close association with Sir Tyrone Guthrie and Douglas Campbell, directors of the Minnesota Theatre Company, led to his composing incidental music for several Guthrie productions, as well as a ballad opera, The Shoemaker's Holiday (1967).

The 1970s and 1980s saw the composer working increasingly in the song cycle form, while still writing operas and orchestral music. Among his major song cycles are Letters from Composers (1968); To Be Sung Upon the Water (1973); From the Diary of Virginia Woolf (1975); the choral I Hate and I Love (1982); The Andree Expedition (1983); and Casa Guidi (1983). Later song cycles include A Few Words About Chekhov for mezzo-soprano, baritone, and piano, which was given its premiere in 1996 by Frederica von Stade, Håkan Hagegård, and pianist Martin Katz at the Ordway Theater in St. Paul; Walden Pond (mixed chorus, harp, and three cellos), commissioned and premiered by the Dale Warland Singers in 1996; and Miss Manners on Music (1998), set to texts by the noted advice columnist Judith Martin.

Beyond finding great success in the US, nearly all of Argento’s operas have also been performed in Europe, beginning with Postcard from Morocco. Among these are The Voyage of Edgar Allan Poe (1976), Miss Havisham's Wedding Night (1981), and Casanova's Homecoming (1984). Robert Jacobson of Opera News described the latter work as "a masterpiece." The Aspern Papers was given its premiere by Dallas Opera in November 1988 to great acclaim, was telecast on the PBS series "Great Performances," and was again presented, to critical praise, by the Washington Opera in 1990. The opera was also presented in Germany and in Sweden; as well as at London’s Barbican Centre in 1998.

Argento’s final opera, The Dream of Valentino, examined fame and the immigrant experience, set in the early days of Hollywood. Washington Opera gave the work its premiere under the baton of Christopher Keene in January 1994, followed by its co-commissioning company, Dallas Opera, in 1995. The production featured special multi-media sets by John Conklin and costumes by the couturier Valentino. Writing of the premiere, Peter G. Davis of New York magazine stated, "What a pleasure to encounter a real opera composer, one who has studied and learned from his predecessors, loves the form, understands its conventions, has mastered them, and then lets his imagination take wing." The Dream of Valentino received its European premiere in February 1999 in Kassel, Germany.

Among other honors and awards, Dominick Argento received the Pulitzer Prize for Music in 1975 for his song cycle From the Diary of Virginia Woolf. He was elected to the American Academy of Arts and Letters in 1979, and in 1997 was honored with the title of Composer Laureate to the Minnesota Orchestra, a lifetime appointment. In honor of his 85th birthday, the University of Maryland presented a special career retrospective that included Miss Havisham’s Fire, Postcard from Morocco, and Miss Manners on Music, as well as other recitals and lectures. Minnesota Governor Mark Dayton officially declared August 8, 2016, to be Dominick Argento Day in the state of Minnesota, recognizing Argento as a master composer, revered educator and beloved Minnesotan.

—February 2019

This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.

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