The dance is introduced by equivocal barring 6/8 – 2/4, before the exposition of a festive theme in bouncing and light periods alternating with percussive chords on the hands. A more singing central episode precedes the recapitulation.The Basque fandango ends always with another dance step, Arin Arin in 2/4, characterized here by scales in dactylic rhythm prolonging the character full of life and joy.