Contents: Introduction, Brian Newbould; Schubert’s tempo conventions, Clive Brown; Schubert’s transitions, Susan Wollenberg; Schubert’s string and piano duos in context, Elizabeth Norman McKay; ‘Am Meer’ reconsidered: strophic, binary, or ternary?, Edward T. Cone; Schubert’s ’great’ C major symphony: the autograph revisted, Brian Newbould; ‘Biding his time’- Schubert among the Bohemians in the mid-nineteenth century, Jan Smaczny; Architecture as drama in late Schubert, Roy Howat; Schubert’s piano sonatas: thoughts about interpretation and performance, András Schiff; Schubert and the Ungers: a preliminary study, Peter Branscombe; Schubert’s relationship with women: an historical account, Rita Steblin; Adversity: Schubert’s illnesses and their background, Peter Gilroy Bevan; Index.