• Find us on Facebook
  • Follow us on Twitter
  • Follow us on Instagram
  • View Our YouTube Channel
  • Listen on Spotify
  • View our scores on nkoda

BBC Symphony Orchestra
Igor Stravinsky, conductor

Recorded: Royal Festival Hall, London, 10 December 1958


The iconic Igor Stravinsky conducting his own works ‘live’ is a major event, and the 1958 gala event was no exception.

‘Music and Musicians’ wrote “even Stravinsky, apostle of clarity, could not complain of the brilliance of the BBC Symphony Orchestra’s attack or clean and faultless line of its phrasing. Seized as it was on this night with a sense of occasion, it can play like a band of angels.”

Both the ballet scores, ‘Agon’ and ‘Apollo’ (formerly named ‘Apollon Musagète), were recorded by Stravinsky in the studio after their respective premieres in 1957 and 1950, and then again in the 1960s. The ‘Symphony in 3 Movements’ was first recorded in the studio by Stravinsky in 1946.

There are some European air-checks of ‘Agon’ and ‘Apollo’ but the BBC’s own master tapes are of superb quality.

Stravinsky concluded the concert with three excerpts from the 1945 ‘Firebird’, but timing only permitted the Finale to be included here.


“Conducting his own music on a visit to London in 1958, he gives his recently composed ballet music Agon a fiercely angular reading, full of snap and fizz. The Symphony is given a similarly committed performance by the BBC Symphony Orchestra, though they seem at moments to escape the composer's baton. Only in the neo-classical Apollo is a little lyricism allowed to round the edges” The Telegraph, 18th February 2009

“Having only four rehearsals at his disposal, Stravinsky achieved remarkable results… Although the performance of Agon is hardly pristine, there's a greater sense of rhythmic tension in the performance than the more technically secure studio recording made by the composer...” BBC Music Magazine, June 2009 ****

“Their tense astringency is compelling, and the sense of a very special occasion is palpable from the start.” The Guardian, 27th March 2009


Highlights


Stay updated on the latest composer news and publications