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PIECES (See syllabus for exam requirements)

List AAvailable In

14. Lament, no. 3

Benstead

Available In

15. Rêverie in D

Bottesini

Available In

16. Choral

Chapuis

Available In

17. Adagio (2nd movt from Concerto no. 2) (without cadenza)

Dittersdorf

Available In

18. Sicilienne, op. 78

Fauré

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19. Elegie

Furtok

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20. Adagio

Geissel

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21. Concertino, op. 10

Gouffé

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22. Miniature

Hauta-aho

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23. Allegro (1st movt from Concerto for Double Bass)

Kohaut

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24. Romance

Nielsen, arr. Korda

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25. Tambourin

Rameau, arr. Sterling

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26. Scherzo, op. 46 no. 5

Ratez

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27. Berceuse

Tulácek

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28. Valse miniature

Tulácek

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29. Chant d'amour

Tulácek

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30. Air d'il Trovatore

Verdi, arr. Bottesini

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31. Aria Da Capo

Wilson

Available In

List BAvailable In

1. Can't Stop Running

A Ben Ezra

Please  email us for availability

2. Finale, no. 4

Benstead

Available In

3. Allegro con brio (3rd movt from Sonatine)

Breuer

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4. Allegro (1st movt from Concerto in G)

Cimador

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5. Allegro maestoso (1st movt from Concerto in C major)

Dragonetti

Available In

6. Waltz no. 7

Dragonetti

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7. Waltz no. 11

Dragonetti

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8. Corrente and Adagio (2nd and 3rd movts from Sonata in G minor)

Eccles

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9. Variations on a Favourite Syrian Folk Song (without var. 1, 2 & 3)

Eisengräßer

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10. Capriccio no. 5

Gajdoš

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11. Adagio and Allegro (1st and 2nd movts from Sonata in C minor)

Handel

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12. Introduction and Scherzo

Jacob

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13. Rondo

Keÿper

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14. Gavotte

Lorenzetti

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15. Blues with a Swing

Osborne

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16. Comodo and Allegro (1st and 2nd movts from Sinfonia in F major)

Pergolesi, arr. Elliott

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17. Allegro moderato (1st movt from Concerto in C major)

Pichl, ed. Elliott

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18. Adagio and Allegro (1st and 2nd movts from Sonata in G major)

Quantz, ed. Russell

Available In

19. Hornpipe

Reynolds

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20. Rondo - Allegretto (3rd movt from Sonata in E minor, op. 38 no. 1)

Romberg

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21. Largo and Allegro (1st and 2nd movts from Sonata no. 3 in A minor, RV 43)

Vivaldi, trans. Zimmermann

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Also RecommendedAvailable In

1. Scales and arpeggios

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2. Aural tests

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3. Sight reading method with specimen tests

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4. Orchestral extracts

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