Anna Clyne
Short Biography (231 words):
Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most in-demand and widely performed composers today, working with orchestras, choreographers, filmmakers, and visual artists around the world. Clyne has been commissioned and presented by the world’s most dynamic and revered arts institutions, and often collaborates on creative projects across the music industry.
An innovative and cross-disciplinary artist, Clyne creates visual art in conjunction with her compositional process in such works as Night Ferry and P_ALETTE_ and draws from the poetry and writings of Rainer Maria Rilke, Emily Dickinson, and Mary Oliver for Orbits, _The Gorgeous Nothings), and Wild Geese, respectively. In addition, Clyne has recently developed the Augmented Orchestra with sound designer Jody Elff, with the new technology expanding the sound-world of the orchestra through computer-controlled processes.
Clyne’s music is represented on several labels, including the 2025 album, Abstractions, on Naxos featuring the Baltimore Symphony Orchestra conducted by Marin Alsop. Previous portrait albums include SHORTHAND (2024, Sony Classical) featuring soloists Yo-Yo Ma, Avi Avital, and Pekka Kuusisto, and Mythologies (2020, Avie) with the BBC Symphony Orchestra. Her cello concerto, DANCE, which was recorded by soloist Inbal Segev, the London Philharmonic Orchestra, and Marin Alsop, has garnered over 12 million plays on Spotify.
Clyne’s music is published exclusively by Boosey & Hawkes. www.boosey.com/clyne
This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.
Medium Biography (639 words):
Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most indemand composers today, working with orchestras, choreographers, filmmakers, and visual artists around the world.
Clyne has been commissioned and presented by the world’s most dynamic and revered arts institutions, including the Barbican, Carnegie Hall, Kennedy Center, Los Angeles Philharmonic, MoMA, Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney Opera House; and her music has opened such events as the Edinburgh International Festival, The Last Night of the Proms, and the New York Philharmonic’s season. The World Economic Forum commissioned Clyne’s Restless Oceans, which was premiered by an all-women orchestra, led by Marin Alsop, at the opening ceremony in Davos.
Clyne often collaborates on creative projects across the music industry, including Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as the Nico Project at the Manchester International Festival, a stage work about pop icon Nico’s life that featured Clyne’s reimagining of The Marble Index for orchestra and voices. Clyne has also reimagined tracks from Thievery Corporation’s The Cosmic Game for the electronica duo with orchestra, and her music has been programmed by such artists as Björk. Other recent collaborators include such notable musicians as Jess Gillam, Jeremy Denk, Martin Fröst, Pekka Kuusisto, and Yo-Yo Ma.
Clyne’s works are frequently choreographed for dance, with recent projects including the world premiere of choreographer Pam Tanowitz’s dance set to Breathing Statues for the Royal Ballet in London and performances of DANCE by the San Francisco Ballet with choreography by Nicolas Blanc.
Her fascination with visual art as both an observer and an artist has inspired several projects. Works by Gerhard Richter and Mark Rothko inspired ATLAS and Color Field, respectively, whilst five contemporary artworks sparked the creation of Abstractions. For her recent composition PALETTE, Clyne created seven abstract paintings herself, each correlating to a movement of the work, which were exhibited as part of the JuilliART program at The Juilliard School from August–October 2025.
In addition, Clyne embraces innovation through new technology, developing the Augmented Orchestra (AO) with sound designer Jody Elff; the technology expands the sound-world of the orchestra through computer-controlled processes. orchestra through computer-controlled processes. AO has now featured in three works, premiered in Wild Geese at the 2023 Cabrillo Festival, featured in The Gorgeous Nothings at the BBC Proms 2024 and highlighted in PALETTE, the first Concerto for Augmented Orchestra, which made its debut in February 2025 with the St Louis Symphony Orchestra.
Clyne has worked with orchestras across the world as Composer in Residence. These have included the BBC Philharmonic, the Helsinki Philharmonic Orchestra, the Symphony Orchestra of Castilla y León, the Baltimore Symphony Orchestra, Chicago Symphony Orchestra, L’Orchestre national d’Île-de-France, Philharmonia Orchestra, Scottish Chamber Orchestra, and the Trondheim Symphony Orchestra.
Clyne’s music is represented on several labels, including the 2025 album, Abstractions, on Naxos featuring the Baltimore Symphony Orchestra conducted by Marin Alsop. Previous portrait albums include SHORTHAND (2024, Sony Classical) with performances by The Knights, Avi Avital, Pekka Kuusisto, Colin Jacobsen, and Yo-Yo Ma, in addition to Mythologies (2020, Avie) with the BBC Symphony Orchestra and four internationally acclaimed conductors: Marin Alsop, Sakari Oramo, Andrew Litton, and André de Ridder. Her cello concerto, DANCE, which was recorded by soloist Inbal Segev, the London Philharmonic Orchestra, and Marin Alsop, has garnered over 12 million plays on Spotify.
Clyne is deeply committed to music education and to supporting and mentoring the next generation of composers. She has taught master classes and workshops throughout the US and internationally and was the founding mentor for the Orchestra of St Luke’s Degaetano Composition Institute, the Scottish Chamber Orchestra’s New Stories program, and the Berkeley Symphony Orchestra's Emerging Composers Program.
Clyne’s music is published exclusively by Boosey & Hawkes. www.boosey.com/clyne
This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.
Long Biography (1172 Words):
Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most indemand composers today, working with orchestras, choreographers, filmmakers, and visual artists around the world.
Clyne has been commissioned and presented by the world’s most dynamic and revered arts institutions, including the Barbican, Carnegie Hall, Los Angeles Philharmonic, MoMA, Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney Opera House; and her music has opened such events as the Edinburgh International Festival, The Last Night of the Proms, and the New York Philharmonic’s season. The World Economic Forum commissioned Clyne’s Restless Oceans, which was premiered by an all-women orchestra, led by Marin Alsop, at the opening ceremony in Davos.
Clyne often collaborates on creative projects across the music industry, including Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as the Nico Project at the Manchester International Festival, a stage work about pop icon Nico’s life that featured Clyne’s reimagining of The Marble Index for orchestra and voices. Clyne has also reimagined tracks from Thievery Corporation’s The Cosmic Game for the electronica duo with orchestra, and her music has been programmed by such artists as Björk.
Several projects have allowed Clyne to explore visual arts as both an observer and an artist. Works by Gerhard Richter and Mark Rothko inspired ATLAS and Color Field, respectively, whilst five contemporary artworks sparked the creation of Abstractions. Woman Holding a Balance was inspired by Vermeer, with artists Jyll Bradley and David Ward creating collaborating on a film to accompany the string quartet. In January 2024, Clyne presented a three-part series for BBC Radio 3, called ‘The Art of Music with Anna Clyne’, which explores how music and art directly inspire each other.
Clyne’s Night Ferry was one of her first explorations in composing and creating visual art simultaneously; similarly, her recent composition PALETTE saw the creation of seven abstract artworks based on each movement of the work, which were exhibited as a part of the JuilliART program at The Juilliard School from August–October 2025.
Recent projects in collaboration with the dance world have included the world premiere of choreographer Pam Tanowitz’s Secret Things set to Breathing Statues for the Royal Ballet in London and performances of DANCE by the San Francisco Ballet with choreography by Nicolas Blanc.
Clyne has composed for some of the world’s greatest artists, with collaborations including?In the Gale?for cello and bird song, for Yo-Yo Ma; Three Sisters for mandolin and string orchestra for Avi Avital;?Weathered, a clarinet concerto for Martin Fröst;?Glasslands, a saxophone concerto for Jess Gillam;?Time and Tides, a violin concerto for Pekka Kuusisto; and?ATLAS, a piano concerto for Jeremy Denk.
In addition, Clyne embraces innovation through new technology, developing the Augmented Orchestra (AO) with sound designer Jody Elff; the technology expands the sound-world of the orchestra through computer-controlled processes. orchestra through computer-controlled processes. AO has now featured in three works, premiered in Wild Geese at the 2023 Cabrillo Festival, featured in The Gorgeous Nothings at the BBC Proms 2024 and highlighted in PALETTE, the first Concerto for Augmented Orchestra, which made its debut in February 2025 with the St Louis Symphony Orchestra.
Further recent premieres include This Moment for full orchestra; Quarter Days for string quartet and chamber orchestra; The Years for chorus and chamber orchestra; The Heart of Night for a cappella choir; Fractured Time for sinfonietta; Strange Loops for clarinet and string quartet; A Thousand Mornings for piano trio; Red Nines for solo piano; and a trilogy of Beethoven-inspired works—Stride for string orchestra, Breathing Statues for string quartet, and Shorthand for solo cello and string orchestra.
Clyne has worked with orchestras across the world as Composer in Residence. These have included the BBC Philharmonic, the Helsinki Philharmonic Orchestra, the Symphony Orchestra of Castilla y León, the Baltimore Symphony Orchestra, Chicago Symphony Orchestra, L’Orchestre national d’Île-de-France, Philharmonia Orchestra, Scottish Chamber Orchestra, and the Trondheim Symphony Orchestra.
She is the founding mentor composer for the Orchestra of St. Luke’s?Degaetano Composition Institute and has served as the Director of the New York Youth Symphony’s young composers’ program, Making Score.
Clyne’s music is represented on several labels. Her 2025 album, Abstractions, showcases the Baltimore Symphony Orchestra conducted by Marin Alsop and was released on the Naxos label. The album features some of Clyne’s most personal music, including Within Her Arms, dedicated to Clyne’s late mother, alongside the premiere recording of Color Field.
Previous portrait albums include Mythologies (2020, Avie) with the BBC Symphony Orchestra and four internationally acclaimed conductors: Marin Alsop, Sakari Oramo, Andrew Litton, and André de Ridder. Clyne’s works Prince of Clouds and Night Ferry were nominated for 2015 GRAMMY Awards, and her cello concerto, DANCE, which was recorded by soloist Inbal Segev, the London Philharmonic Orchestra, and Marin Alsop, has garnered over 12 million plays on Spotify. Its opening movement was named among NPR Music’s ‘Favorite Songs of 2020’.
In 2024, Sony Classical released SHORTHAND, a portrait album featuring Clyne’s works Three Sisters with mandolinist Avi Avital, Prince of Clouds with Pekka Kuusisto and Colin Jacobsen, Shorthand and Shorthand REDUX with Yo-Yo Ma, and the moving orchestral work Within Her Arms, performed by acclaimed New York-based orchestra The Knights, conducted by Eric Jacobsen. Described as ‘instinctive, often cinematic in scope’ by BBC Music Magazine, whilst The Arts Fuse declared the album as ‘music that balances moments of heartrending, elegiac lyricism with gritty, acidic interruptions.’ Produced by Clyne, sound engineer Jody Elff and artistic director Eric Jacobsen, the album was Clyne’s largest collaboration with soloists to date, uniting instrumentalists from around the world to come together and create a range of music celebrating the sound-world of strings.
Clyne is the recipient of the Hindemith Prize; a Charles Ives Fellowship from the American Academy of Arts and Letters; awards from Meet the Composer, the American Music Center, the Foundation for Contemporary Arts, and the Jerome Foundation; prizes from ASCAP and SEAMUS; and she was nominated for the Times Breakthrough Award. Clyne holds a Bachelor of Music degree with honours from Edinburgh University, studying with Marina Adamia, and a Master of Music degree from Manhattan School of Music, where she studied with Julia Wolfe.
Clyne is deeply committed to music education and to supporting and mentoring the next generation of composers. She has taught master classes and workshops throughout the US and internationally and was the founding mentor for the Orchestra of St Luke’s Degaetano Composition Institute, the Scottish Chamber Orchestra’s New Stories program and the Berkeley Symphony Orchestra's Emerging Composers Program. Further education work has included serving as the Director of the New York Youth Symphony’s award-winning program for young composers, Making Score, workshops for young composers at Chicago’s Public Schools and incarcerated youth at a Juvenile Detention Center, and a collaboration with art therapist Caroline Edasis to explore music, memory, and composition through working with people with Alzheimer’s.
Clyne's music is published exclusively by Boosey & Hawkes. www.boosey.com/clyne
This biography can be reproduced free of charge in concert programs with the following credit:
Reprinted by kind permission of Boosey & Hawkes.
