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Short Biography:
London-born Anna Clyne is a Grammy-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “dazzlingly inventive” by Time Out New York, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians.

This fall, the Scottish Chamber Orchestra and Pekka Kuusisto premiere Clyne’s Sound and Fury in Edinburgh. Recent premieres include her Rumi-inspired cello concerto, DANCE, premiered with Inbal Segev at the 2019 Cabrillo Festival of Contemporary Music, led by Cristian Macelaru; Snake and Ladder, a work for saxophone and electronics premiered by Jess Gillam at the 2019 Cheltenham Music Festival; Beltane with the BBC Scottish Symphony Orchestra and Thomas Dausgaard; Three Sisters, her mandolin concerto for Avi Avital and the Kremerata Baltica; and Restless Oceans with the Taki Concordia Orchestra and Marin Alsop at the Opening Ceremony of the World Economic Forum in Davos. In July 2019, Clyne wrote and arranged music from Nico’s Marble Index for The Nico Project, a theatrical work presented by the Manchester International Festival.

Clyne served as composer-in-residence for the Chicago Symphony Orchestra, Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, and Berkeley Symphony. Clyne currently serves as The Scottish Chamber Orchestra’s Associate Composer through the 2020-2021 season, with a series of works commissioned over three years.

Her music is published exclusively by Boosey & Hawkes. boosey.com/clyne

August 2019

This biography can be reproduced free of charge in concert programs with the following credit: Reprinted by kind permission of Boosey & Hawkes.

Medium Biography:
London-born Anna Clyne is a Grammy-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “dazzlingly inventive” by Time Out New York, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians.

Recent premieres include Restless Oceans with the Taki Concordia Orchestra and Marin Alsop at the World Economic Forum; Beltane with the BBC Scottish Symphony Orchestra and Thomas Dausgaard; and Three Sisters, her mandolin concerto for Avi Avital and the Kremerata Baltica. Clyne has been commissioned by such renowned organizations as Carnegie Hall, Houston Ballet, Los Angeles Philharmonic, and the Southbank Centre.

Summer 2019 saw a number of new premieres from Clyne: Her cello concerto DANCE debuted by Inbal Segev at the Cabrillo Festival of Contemporary Music, led by Cristian Macelaru; Snake and Ladder for saxophone and electronics premiered with Jess Gillam at the Cheltenham Music Festival; and The Nico Project, a theatrical piece featuring Clyne’s transcriptions and arrangements of music from Nico’s Marble Index, was presented at the Manchester International Festival. This fall, the Scottish Chamber Orchestra and Pekka Kuusisto premiere Clyne’s Sound and Fury in Edinburgh.

From 2010–2015, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra. Music Director Riccardo Muti lauded Clyne as “an artist who writes from the heart, who defies categorization, and who reaches across all barriers and boundaries. Her compositions are meant to be played by great musicians and listened to by enthusiastic audiences no matter what their background.” She has also been in residence with the Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, Cabrillo Festival of Contemporary Music, and Berkeley Symphony. Clyne currently serves as The Scottish Chamber Orchestra’s Associate Composer for the next three years, through the 2020-2021 season. The residency includes plans for a series of new works commissioned over three years.

Clyne is a member of the composition faculty at Mannes / The New School, and serves as the mentor composer for the Orchestra of St Luke's DeGaetano Composer Institute. Her music is published exclusively by Boosey & Hawkes. boosey.com/clyne

August 2019

This biography can be reproduced free of charge in concert programs with the following credit: Reprinted by kind permission of Boosey & Hawkes.

Long Biography:
London-born Anna Clyne is a Grammy-nominated composer of acoustic and electro-acoustic music. Described as a “composer of uncommon gifts and unusual methods” in a New York Times profile and as “dazzlingly inventive” by Time Out New York, Clyne’s work often includes collaborations with cutting-edge choreographers, visual artists, filmmakers, and musicians.

Clyne has been commissioned by a wide range of ensembles and institutions, including BBC Radio 3, BBC Scottish Symphony, Britten Sinfonia, Carnegie Hall, Chicago Symphony Orchestra, Houston Ballet, London Sinfonietta, Los Angeles Philharmonic, Seattle Symphony, and the Southbank Centre. Her work has been championed by such world-renowned conductors as Marin Alsop, Pablo Heras-Casado, Riccardo Muti, Leonard Slatkin, André de Ridder, Esa-Pekka Salonen, and Osmo Vänskä.

From 2010–2015, Clyne served as a Mead Composer-in-Residence for the Chicago Symphony Orchestra. Music Director Riccardo Muti lauded Clyne as “an artist who writes from the heart, who defies categorization, and who reaches across all barriers and boundaries. Her compositions are meant to be played by great musicians and listened to by enthusiastic audiences no matter what their background.” She has also been in residence with the Baltimore Symphony Orchestra, L’Orchestre national d’Île-de-France, Cabrillo Festival of Contemporary Music, Berkeley Symphony, and National Sawdust. The Scottish Chamber Orchestra recently announced Clyne as its Associate Composer for the next three years, through the 2020-2021 season. The residency includes plans for a series of new works commissioned over three years.

Recent premieres include Restless Oceans with the Taki Concordia Orchestra and Marin Alsop at the World Economic Forum; Beltane with the BBC Scottish Symphony Orchestra and Thomas Dausgaard in Glasgow; Three Sisters, her mandolin concerto for Avi Avital and the Kremerata Baltica; Masquerade for the BBC Symphony Orchestra and Marin Alsop at the Last Night of the Proms; and This Midnight Hour for L’Orchestre national d’Île-de-France.

Summer 2019 saw a number of new premieres from Clyne: Her cello concerto DANCE debuted by Inbal Segev at the Cabrillo Festival of Contemporary Music, led by Cristian Macelaru; Snake and Ladder for saxophone and electronics premiered with Jess Gillam at the Cheltenham Music Festival; and The Nico Project, a theatrical piece featuring Clyne’s transcriptions and arrangements of music from Nico’s Marble Index, was presented at the Manchester International Festival. This fall, the Scottish Chamber Orchestra and Pekka Kuusisto premiere Clyne’s Sound and Fury in Edinburgh.

Clyne is the recipient of the 2016 Hindemith Prize; a Charles Ives Fellowship from the American Academy of Arts and Letters; awards from Meet the Composer, the American Music Center, the Foundation for Contemporary Arts, and the Jerome Foundation; and prizes from ASCAP and SEAMUS. She was nominated for the 2014 Times Breakthrough Award (UK).

Clyne’s music is represented on Cantaloupe Music, Cedille, MajorWho Media, New Amsterdam, Resound, Tzadik, and VIA labels. Recent releases include Blue Moth, an album of her instrumental music for ensemble and tape; Night Ferry with the Chicago Symphony Orchestra and Riccardo Muti; and Prince of Clouds featuring Jennifer Koh and Jaime Laredo with the Curtis Chamber Orchestra on Cedille Records. Both Night Ferry and Prince of Clouds were nominated for 2015 Grammy Awards.

Clyne is a member of the composition faculty at Mannes / The New School, and serves as the mentor composer for the Orchestra of St Luke's DeGaetano Composer Institute. Her music is published exclusively by Boosey & Hawkes. boosey.com/clyne

August 2019

This biography can be reproduced free of charge in concert programs with the following credit: Reprinted by kind permission of Boosey & Hawkes.

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