• Blends the rhythmic vitality of Minimalism with late-Romantic orchestral harmonies and colors
• Brought contemporary history to opera with his post-modern theatrical works Nixon in China (1987), The Death of Klinghoffer (1991), and Doctor Atomic (2005)
• Tackles urgent social issues with passion and empathy, both in his operas and in such works as I Was Looking at the Ceiling and then I Saw the Sky, El Dorado and The Wound-Dresser
• His works are preferred by choreographers, with multiple ballet versions of Fearful Symmetries
• Winner of the Grawemeyer Award in 1995 by Violin Concerto and of the Pulitzer Prize in 2003 by On the Transmigration of Souls
• Series of recordings with the Nonesuch label, including several GRAMMY wins and nominations
• A recent survey places him as the most frequently performed living American composer of orchestral music
Works by John Adams include:
Short Ride in a Fast Machine (1986) for orchestra
Violin Concerto (1993)
Son of Chamber Symphony (2007) for chamber orchestra
El Niño (1999-2000) for soprano, mezzo soprano, baritone, three tenors, choir, optional children's choir and orchestra.
The Gospel According to the Other Mary (2011) for orchestra, choir and soloists
John Adams is represented as a conductor by Jane Brown of Harrison Parrott.
Visit the John Adams website at www.earbox.com.
Looking Ahead: In June, “Lola Montez Does the Spider Dance” from his opera Girls of the Golden West premieres in Austria with Marin Alsop and Radio-Symphonieorchester Wien (June 2) and I Still Dance receives its UK premiere with Sir Simon Rattle and the London Symphony Orchestra (June 12).
In September 2022, Adams’s new opera Antony & Cleopatra will open the San Francisco Opera’s centennial season.
"Whenever serious art loses track of its roots in the vernacular, then it begins to atrophy." — John Adams